Originally 25 minutes per episode, the series was expanded to 50 minutes in 1962 and retitled The Alfred Hitchcock Hour. He told "TV Guide" that his reassurances that the criminal had been apprehended were "a necessary gesture to morality."Īlfred Hitchcock Presents finished at #6 in the Nielsen ratings for the 1956–57 season, and at #12 in 1957–58, #24 in 1958–59 and #25 in 1959–60. Hitchcock closed the show in much the same way as it opened, but mainly to tie up loose ends rather than joke. For later seasons, opening remarks were also filmed with Hitchcock speaking in French and German for the show's international presentations. An alternative version for European audiences would instead include jokes at the expense of Americans in general. A version intended for the American audience would often spoof a recent popular commercial or poke fun at the sponsor, leading into the commercial. At least two versions of the opening were shot for every episode. Hitchcock appears again after the title sequence, and drolly introduces the story from a mostly empty studio or from the set of the current episode his monologues were written especially for him by James B. The caricature drawing, which Hitchcock created, and the use of Gounod's "Funeral March of a Marionette" as theme music have become indelibly associated with Hitchcock in popular culture. He then almost always says "Good evening." (The theme music for the show was suggested by Hitchcock's long-time musical collaborator, Bernard Herrmann.) As the program's theme music, Charles Gounod's "Funeral March of a Marionette," plays, Hitchcock appears in silhouette from the right edge of the screen, and then walks to center screen to eclipse the caricature. The camera fades in on a simple line-drawing caricature of Hitchcock's rotund profile. One volume, devoted to stories that censors wouldn't allow to be adapted for broadcast, was entitled Alfred Hitchcock Presents: Stories They Wouldn't Let Me Do on TV-though eventually several of the stories collected were adapted.Īlfred Hitchcock Presents is well known for its title sequence.
By the time it premiered on October 2, 1955, Hitchcock had been directing films for over three decades.Ī series of literary anthologies with the running title Alfred Hitchcock Presents were issued to capitalize on the success of the television series. It featured dramas, thrillers, and mysteries. The Remake: We put together our movie! What story do we want to tell, how close to the original will it be, who will star, and ultimately who should direct our eventual cinematic masterpiece? Our hosts work together to put together one cohesive movie, but there is one caveat – Each host has one ‘CUT!’ throughout the episode to employ, which could completely derail the entire film.Alfred Hitchcock Presents is an American television anthology series hosted by Alfred Hitchcock, which aired on CBS and NBC between 19. Most importantly, should this film even be remade? The Original: We discuss the original film’s impact on us and history, some quick trivia bits, what worked the best from the film and therefore must remain in our upcoming remake, as well as what didn’t work or what needs to be changed for today’s audiences. Our show is broken down into three distinct parts:
Alfred hitchcock hour movie#
By the end of each episode, we will Remake This Movie RIGHT! Does the story need updating? Should characters or motives be tweaked? Do we need more muppets? We take all factors into account, concoct our singular film, and then offer a Final Pitch to you in movie trailer form. Remake This Movie RIGHT! is a bi-monthly podcast where we take a classic film that is actively being remade by Hollywood studio execs, and craft our own version for a modern retelling. With an updated story that respects the past, complete with our very own movie parody trailer, it’s time to Remake The Birds RIGHT!Ĭlips selected from Alfred Hitchcock’s The Birds (1963) Beginning in small waves before escalating into all-out war, Bodega Bay now belongs to…The Birds!Īlfred Hitchcock’s The Birds has been up for a remake for several years, and for this episode, we decided to throw caution and memories of Gus Van Sant to the wind. All seems to be heading towards a romance for the ages when the town is under siege from random bird attacks. Also entering the picture is Mitch’s former flame, Annie.
She then heads to the remote seaside community of Bodega Bay, where Mitch spends the weekends with his mother Lydia and younger sister Cathy. When lawyer Mitch Brenner plays a bit of a prank at her expense, she decides to return the favor. In director Alfred Hitchcock’s The Birds, Melanie Daniels is a rich socialite with a reputation for the unexpected.
0 kommentar(er)
